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李小良﹐現任嶺南大學文化研究系副教授兼文化研究碩士課程主任。香港大學文學士及哲學碩士﹑美國麻州大學安城分校比較文學博士﹑布朗大學喬科夫斯基博士後研究﹐曾任教於科技大學人文學部。出版有英文專著<<中國戲曲的性別易服>> (Cross-dressing in Chinese Opera) (香港大學出版社﹐2003/2006) ﹐合編英文論文集<<香港接合: 動作電影中的跨國想像>> (Hong Kong Connections: Transnational Imagination in Action Cinema) (香港大學出版社，2005) ﹐編校<<芳艷芬<萬世流芳張玉喬> ﹕原劇本及導讀>> (三聯書店﹐2011) ﹐合著《否想香港》（臺北麥田，1997）。其它發表的中、英論文有功夫片、歌舞電影、戲曲改編、崑曲﹑粵劇、香港流行小說、中西比較文學等。在表演藝術範疇﹐李小良曾任香港藝術節中國節目及出版經理﹐早年學習西洋長笛﹐曾參與香港交響樂團演出和錄音﹐近年興趣收集十九世紀晚期及二十世紀前期的長笛。現擔任粵劇發展基金執行委員會成員、非物質文化咨詢委員會委員、藝術發展局藝術常設藝評員和評審員。 Siu Leung Li is associate professor and Director of Master of Cultural Studies Program at Lingnan University. He received his BA and MPhil from the University of Hong Kong, PhD in comparative literature from the University of Massachusetts Amherst and was Joukowsky Postdoctoral Fellow at Brown University. He taught in the Division of Humanities at the Hong Kong University of Science and Technology before joining Lingnan. Li has published on gender and Chinese opera, Hong Kong popular culture and film, and comparative literary studies. His books include Cross-Dressing in Chinese Opera (HKU Press, 2003/2006), Fang Yanfen Wanshi liufang Zhang Yuqiao – Yuan juben ji dudu [Fong Yim-fun’s Zhang Yuqiao: Heroine Across the Ages – Original Script and Reader] (editor, Joint Publishing Press, 2011), Hong Kong Connections: Transnational Imagination in Action Cinema (co-editor, HKU Press, 2005), Fouxiang Xianggang: lishi, wenhua, weilai [Hong Kong un-imagined: history, culture, future] (co-author, Taipei Rye Field, 1997). Li once worked with the Hong Kong Arts Festival as Publication and China Programme Manager. Currently serving on the Cantonese Opera Development Fund and the Intangible Cultural Heritage Advisory Board of the Hong Kong SAR Government, he is also an assessor and referee for the Hong Kong Arts Development Council. Li was recently granted the “Award for Special Contributions to Kunqu Opera” (2011) by the Center for Intangible Cultural Heritage of the Beijing municipal government. Trained in flute performance in his early years and were a freelance musician in the Hong Kong Symphony and various orchestras, Li now collects late nineteenth century French flutes and other vintage flutes as a hobby, after his retirement from performance.
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