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Prof.
Mette Hjort
Professor mhjort@ln.edu.hk |
| Biography | |
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The daughter of Danish expatriates, Mette Hjort spent
her childhood in Nairobi, Kenya, and her teenage years in England and
Holland, and this itinerant, multilingual life made working in different
places around the world a natural aspiration, even in the context of
academe, which has been firmly anchored in strongly national
institutions and thus lacks some of the facilitating structures that are
a feature of corporate, missionary or diplomatic life. The fishing town
of Saikung in the Eastern New Territories of Hong Kong is now ”„home.”¦
Mette is Professor and Programme Director of Visual
Studies at Lingnan University in Hong Kong. Previous appointments
include Head of Comparative Literature at the University of Hong Kong,
Director of Cultural Studies at McGill University in Montreal, Canada,
and Professor of Intercultural Studies at Aalborg University in Denmark.
Mette was a Visiting Researcher at Kyoto University in 1996, a Visiting
Professor of Scandinavian Studies at University College London in the
Spring of 2007 and a Leverhulme Visiting Professor of Film Studies at
St. Andrews University in Scotland during the Fall of 2007. She
regularly contributes to the University of Washington, Seattle”¦s summer
school in Copenhagen, where she introduces students to the film town in
Avedoere, the film school, key cultural policy figures, and various
filmmakers and scriptwriters. Mette is particularly interested in the cinema of
small nations, artistic initiatives designed as alternatives or
complements to cultural policy, and transnational collaboration between
film practitioners belonging to small nations. Her earlier work reflects
her interest in critical theory, theatre history, aesthetics, and
philosophy. Mette's current projects are a co-authored book
with Meaghan Morris on aspects of contemporary university life, a
monograph on concepts of risk and their relevance for the visual arts, a
short book on the contemporary Danish filmmaker Lone Scherfig, a
co-authored book (with Andy Nestingen) entitled New Nordic Cinema (U of
Edinburgh P), two interview books, the one with documentary filmmakers,
the other with feature filmmakers (Intellect Press), and a co-edited
volume (with Dina Iordanova) on concepts and practices of regional
cinema. |
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Professor, Visual
Studies, Lingnan University |
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| Academic & Professional Qualifications | |
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Ph.D. (nouveau doctorat, Centre de Recherche sur les Arts et le Langage), Ecole des Hautes Etudes en Sciences Sociales, Paris (1989), supervised by French art historian Louis Marin
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| Scholarly Distinctions | |
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Leverhulme Visiting Professor of Film Studies, St Andrews University
Visiting Professor, Scandinavian Studies, University College London ”@ Guest Professor, University of Washington, Seattle, summer program, Copenhagen ”@ Awarded, Senior Researcher Fellowship, Danish Institute for Advanced Studies
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| Areas of Interest | |
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Film Theory, Film
Movements, Film Towns, Minor Cinema, Philosophy and Film, National and
Transnational Cinema, Aesthetics, Anti-theatricality, Literary Theory,
European Drama, Scandinavian Studies, University Culture |
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Previous Employment |
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Professor, Intercultural Studies, Aalborg University
Associate Professor
and Head of Comparative Literature, Hong Kong University |
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| Publications | |
| Monographs | |
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Hjort, Mette. (in progress). Lone Scherfig”¦s Italian for Beginners (Seattle: University of Washington Press). Hjort, Mette. 2006. Stanley Kwan”¦s Centre Stage (Hong Kong: Hong Kong University Press), pp 144. Hjort, Mette. 2005. Small Nation, Global Cinema (Minneapolis: University of Minnesota Press, Public Worlds Series), pp 300. Hjort, Mette. 1993. The Strategy of Letters (Cambridge, Mass.: Harvard University Press), pp 267. ”@ |
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Edited Books |
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Hjort, Mette (in progress) Film and Risk. Hjort, Mette. 2008. Dekalog 01: On The Five Obstructions (London: Wallflower Press), pp 148. Hjort, Mette & Duncan Petrie. 2007. The Cinema of Small Nations (Edinburgh: University of Edinburgh Press), pp 250. Hjort, Mette & Scott MacKenzie. 2003. Purity and Provocation: Dogme 95 (London: The British Film Institute Publications), pp 237. Hjort, Mette & Ulf Hedetoft. 2002. The Postnational Self (Minneapolis: University of Minnesota Press, Public Worlds Series), pp 316. Hjort, Mette & Scott MacKenzie. 2000. Cinema and Nation (London: Routledge), pp 332. Hjort, Mette & Sue Laver. 1997. Emotion and the Arts (Oxford: Oxford University Press), pp 302. Hjort, Mette. 1992. Rules and Conventions: Literature, Philosophy, Social Theory (Baltimore: The Johns Hopkins University Press), pp 359. ”@ |
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Series Editor |
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With Peter Schepelern, of the Nordic Film Classics Series (University of Washington Press). Forthcoming books in the series include Maaret Koskinen on Ingmar Bergman's The Silence, Bjorn Nordfjord on Dagur Kari's Noi the Albino, and Trevor Ponech on Bent Hamer's Kitchen Stories. ”@ |
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Interview Books |
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Hjort, Mette., Eva Jørholt & Eva Novrup (in progress). Danish Directors 2 (Bristol: Intellect Press). Hjort, Mette & Ib Bondebjerg. 2001. The Danish Directors: Dialogues on a Contemporary National Cinema (Bristol: Intellect Press), pp 288. Translation by Hjort of Instruktørens blik. Hjort, Mette & Ib Bondebjerg. (2000). Instruktørens blik -- en interviewbog om dansk film (Copenhagen: Rosinante) pp 294. ”@ |
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Translated Books |
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Hjort, Mette. 1994. Translator of Louis Marin”¦s Détruire la peinture (Paris: Galilée, 1977). Translated as To Destroy Painting (Chicago: Chicago University Press), pp 186 . Hjort, Mette. 1989. Translator of Louis Marin's La parole mangée (Paris: Méridiens Klincksieck). Translated as Food for Thought (Baltimore: The Johns Hopkins University Press), pp 273. ”@ |
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Last updated: 27.11.2007