| Date: |
|
13 March 2014 (Thu) |
| Time: |
|
12:30 - 2:30pm |
| Venue: |
|
MBG19, Patrick Lee Wan Keung Academic Building, Lingnan University |
| Language: |
|
Dialogues in Cantonese with English subtitles |
| Co-organizer: |
|
Kwan Fong Cultural Research & Development Programme, Lingnan University |
| ILP Unit(s): |
|
2 (Aesthetics Development) |
| CRN: |
|
2853 |
| |
|
|
Abstract
Titus Andronicus is one of the most representative works of Tang Shu-wing Theatre Workshop which has fully manifested the minimalist aesthetics of the theatre. Tang has abandoned all superfluous elements leaving only the most basic and essential elements on stage. In an empty stage with little stage props, Tang guides the actors to present the power of the tragedy in the script, by organically integrating the five basic elements of expression i.e breathing, movement, facial expressions, voice and spatial displacement, with the text.
| 日期： |
|
2014年3月13日 (星期四) |
| 時間： |
|
下午12時30分至2時30分 |
| 地點： |
|
嶺南大學李運強教學大樓地下MBG19室 |
| 語言： |
|
廣東話對白，輔以英文字幕 |
| 合辦： |
|
嶺南大學群芳文化研究及發展部 |
| ILP 學分: |
|
2 (美育發展) |
| CRN: |
|
2853 |
摘要
《泰特斯》是鄧樹榮戲劇工作室其中一個最具代表性的作品，他摒棄所有多餘的舞台元素，只留下最基本及必要的項目，引導演員以五個人類基本的表現元素，有機地結合文本，包括呼吸、動作、面部表情、聲音及空間移位以呈現劇本中的悲劇力量。
故事內容
《泰特斯》為莎士比亞的第一個劇。故事講述羅馬將軍泰特斯經歷十年戰火，凱旋回歸。然而戰勝的喜悅卻是短暫，羅馬新帝薩特尼欲娶其女拉維尼婭為妻，遭受反對，新帝遂轉娶戰敗國女皇塔摩拉為后。塔摩拉為報亡國之痛，一連串報復行動從此展開......被喻為莎士比亞最受爭議的作品。
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