Prof. CAI Zong-qi 蔡宗齊教授
Lee Wing Tat Chair Professor of Chinese Literature 利榮達中國文學講座教授
Office: HSHG26
Tel: 2616-7869
E-mail: Email住址會使用灌水程式保護機制。你需要啟動Javascript才能觀看它
Academic Qualifications: MA (Zhongshan); MA (UMass Amherst); PhD (Princeton)
Research Interests: Premodern Chinese literature, Chinese poetry, classical Chinese poetry, literary criticism, comparative literature and philosophy
Publications:
| Journal |
|---|
| Co-founding editor-in-chief (with Professor Yuan Xingpei of Peking University) of Journal of Chinese Literature and Culture, published by Duke University Press. Website |
| Editori-in-chief of Lingnan Journal of Chinese Studies 嶺南學報. The relaunched series. Website |
| Articles and Books | |
|---|---|
| In English | |
| N/A | “Introduction: The Literary and Cultural Significance of Chinese Prose.” In How to Read Chinese Prose: A Guided Anthology, ed. Zong-qi Cai. 20 manuscript pages. |
| N/A | “An Anatomy of Chinese Prose Forms: An Overview.” In How to Read Chinese Prose: A Guided Anthology, ed. Zong-qi Cai. 60 manuscript pages. |
| N/A | “The Art of Parallel Prose.” In How to Read Chinese Prose: A Guided Anthology, ed. Zong-qi Cai. 30 manuscript pages |
| N/A | “The Chinese Written Character and the Reinvention of Western and Chinese Poetry: Ernest Fenollosa and Ezra Pound.” Chinese Texts in the World, for Brill book series, Chinese Texts in the World. 35 manuscript pages. |
| N/A | How to Read Chinese Prose: A Guided Anthology, commissioned by Columbia University Press. Editor and author. 780 manuscript pages. Under review. |
| 2020 | “The Art of Chinese Prose: A Critical Introduction.” Journal of Chinese Literature and Culture 7.2 (2020), 50 manuscript pages. |
| 2020 | “Early Chinese Concepts of Qing 情and a Dialogue with Western Emotion Studies. Prism: Theory and Modern Chinese Literature. 17.2 (2020), 40 manuscript pages. |
| 2020 | How to Read Chinese Prose in Chinese: A Course in Classical Chinese, commissioned by Columbia University Press. Co-author (with Cui Jie and Liu Yucai). 400 manuscript pages. Accepted for publication. |
| 2020 | Encountering and Reinventing Chinese Literature: Western Writers’ Engagement with China. Co-editor (with Stephen Roddy), prepared for Brill Chinese Texts in the World series. Final manuscript submitted in September, 2020. |
| 2020 | Theory and Chinese Literary Studies. Duke University Press, 2020. Editor and author. A special issue of Prism: Theory and Modern Chinese Literature. |
| 2019 | Emotion and Visuality in Chinese Literature and Culture. Duke University Press, 2019. Co-editor (with Shengqing Wu) and Author. A special issue of Journal of Chinese Literature and Culture. |
| 2019 | “The Making of a Chinese Critical System: Liu Xie’s Wenxin diaolong.” In A Companion to World Literature, edited by Ken Seigneurie. Vol. 3, edited by Christopher Lupke. Hoboken, NJ: John Wiley & Sons (2019; coauthored with Xiaohui Zhang), pp. 1-11. |
| 2018 | “Introduction: The Cultural Role of Chinese Poetry.” How to Read Chinese Poetry: Poetic Culture from Antiquity through the Tang. Columbia University Press, 2018, pp. 1-10. |
| 2018 | “Poetry and Ideology.” How to Read Chinese Poetry in Context: Poetic Culture from Antiquity through the Tang. Columbia University Press, 2018, pp. 65-77. |
| 2018 | How to Read Chinese Poetry in Context: Poetic Culture from Antiquity through the Tang. Columbia University Press, 2018. Editor and author |
| 2016 | “Toward an Innovative Poetics: Wang Changling on Yi 意 and Literary Creation.” Journal of Chinese Literature and Culture 4.1 (2016):180-207. |
| 2015 | Sound and Sense of Chinese Poetry. Duke University Press, 2015. Editor and Author. A special issue of Journal of Chinese Literature and Culture. |
| 2015 | “Introduction: The Primacy of Sound in Chinese Poetry.” In Sound and Sense of Chinese Poetry, ed. Zong-qi Cai. Journal of Chinese Literature and Culture 2.2 (2015): 251-257. |
| 2015 | “Sound over Ideograph: The Basis of Chinese Poetic Art.” In Sound and Sense of Chinese Poetry, ed. Zong-qi Cai. Journal of Chinese Literature and Culture 2.2 (2015): 251-257. |
| 2014 | “Foreword to the Inaugural Issue,” Journal of Chinese Literature and Culture 1.1-2 (2014): 1-4. |
| 2014 | “ The Richness of Ambiguity: A Mencian Statement and Interpretive Theory and Practice in Premodern China,” in Journal of Chinese Literature and Culture 1:1-2 (November 2014): 262–288. Project MUSE pdf |
| 2011 | How to Read Chinese Poetry Workbook. Columbia University Press, 2011. Co-authored with Cui Jie. Google Book |
| 2011 | “The Early Philosophical Discourse on Language and Reality and Lu Ji’s and Liu Xie’s Theories of Literary Creation,” in Frontiers of Literary Studies in China, 2011, 5(4): 477–510. pdf |
| 2010 | "Evolving Practices of Guan and Liu Xie's Theory of Literary Interpretation, in Interpretation, Literature and the World of Thought in early Medieval China, ed. Chan Kam-Leung and Yuet-cheung Lo (Albany, New York: SUNY Press, 2010), pp. 103-132. pdf |
| 2008 | “Introduction: Prominent Features of Chinese Poetry,” in How to Read Chinese Poetry: A Guided Anthology, ed. Zong-qi Cai (Columbia University Press, 2008), pp. 1-9. Google Book |
| 2008 | “Pentasyllabic Shi Poetry: “Nineteen Old Poems,” in How to Read Chinese Poetry: A Guided Anthology, ed. Zong-qi Cai (Columbia University Press, 2008), pp. 103-117. |
| 2008 | “Recent-Style Shi Poetry: Pentasyllabic Regulated Verse,” in How to Read Chinese Poetry: A Guided Anthology, ed. Zong-qi Cai (Columbia University Press, 2008), pp. 161-180. |
| 2008 | “A Synthesis: Syntax and Poetic Vision in Chinese Poetry,” in How to Read Chinese Poetry: A Guided Anthology, ed. Zong-qi Cai (Columbia University Press, 2008), pp. 379-399. |
| 2005 | “The Multiple Vistas of Ming and Changing Visions of Life in the Works of Tao Qian,” in The Magnitude of Ming: Command, Allotment, and Fate in Chinese Culture, edited by Christopher Lupke. University of Hawaii Press, 2005, pp. 169-202. pdf |
| 2005 | “Elevation of Belles Lettres,” Hawaii Reader in Traditional Chinese Culture, eds. Victor H. Mair, Paul R. Goldin, and Nancy S. Steinhardt (Honolulu: Univ. of Hawaii Press, 2005), pp. 282-287. pdf |
| 2004 | "Introduction: A Historical Overview of the Six Dynasties Aesthetics,” in Chinese Aesthetics: The Ordering of Literature, the Arts, and the Universe in the Six Dynasties, ed. Zong-qi Cai (University of Hawaii Press, 2004), pp. 1-28. Google Book |
| 2004 | “The Conceptual Origins and Aesthetic Significance of “Shen” in Six Dynasties Texts on Literature and Painting,” in Chinese Aesthetics: The Orderings of Literature and Arts, and the Universe in the Six Dynasties, ed. Zong-qi Cai (University of Hawaii Press, 2004), pp. 310-432. pdf |
| 2004 | “The Influence of Nietzsche in Wang Guowei’s Writings on Literature and Aesthetics,” Philosophy East and West 54(April, 2004), pp. 171-193. Jstor pdf |
| 2002 | “The Polysemous Term of Shen in Wenxin diaolong,” in Understanding Chinese Poetics: Re-carving the Dragon,” ed. Olga Lomova (Prague: Charles University Press, 2002) pp. 85-116. pdf |
| 2001 | “Introduction: Exploring Three Dimensions of Wenxin diaolong” in A Chinese Literary Mind: Culture, Creativity, and Rhetoric in Wenxin diaolong, ed. Zong-qi Cai (Stanford: Stanford Univ. Press, 2001), pp. 1-14. Google Book |
| 2001 | “The Making of a Critical System: Concepts of Literature in Wenxin diaolong and Earlier Texts,” in A Chinese Literary Mind: Culture, Creativity, and Rhetoric in Wenxin diaolong, ed. Zong-qi Cai (Stanford: Stanford Univ. Press, 2001), pp. 33-59. |
| 2000 | “Wen and the Construction of a Critical System in Wenxin Diaolong,” Chinese Literature: Essays, Articles, and Reviews 22 (2000): pp. 1-29. Jstor pdf |
| 1999 | “In Quest of Harmony: Plato and Confucius on Poetry,” Philosophy East & West 49 (1999): 317-45. Jstor pdf |
| 1997 | "The Rethinking of Emotion: The Transformation of Traditional Chinese Literary Criticism in the Late Qing Era," Monumenta Serica 45 (1997): 63-110. Jstor pdf |
| 1996 | “Dramatic and Narrative Modes of Presentation in Han Yeh-fu," Monumenta Serica 44 (1996): 101-40. Jstor pdf |
| 1993 | "Symbolic Mode of Presentation in the Poetry of Juan Chi," Chinese Literature: Essays, Articles and Reviews 15 (1993): 37-56. Jstor pdf |
| 1993 | “Derridean and Madhyamika Buddhist Theories of Deconstruction,” in Buddhism and Deconstruction, edited Jin Y. Park. Rowen & Littlefield, 2005, pp. 47-62. A reprint of the article published in International Philosophical Quarterly 33.2 (1993): 183-95. |
| 1993 | “Derrida and Seng-zhao: Linguistic and Philosophical Deconstructions," Philosophy East & West 43.3 (1993): 389-404. Jstor pdf |
| 1993 | "Poundian and Chinese Aesthetics of Dynamic Force: A Re-discovery of Fenollosa and Pound's Theory of Chinese Written Character," Comparative Literature Studies 30. 2 (1993): 56-74. Jstor |
| 1993 | "Derrida and the Madhyamika Buddhism: From Linguistic Deconstruction to Criticism of Onto-theologies," International Philosophical Quarterly 33.2 (1993): 183-95. pdf |
| 1989 | "From Syntactic to Structural Pi-hsing: An Important link between the Book of and 'Nineteen Old Poems'," Selected Papers in Asian Studies new series, no. 31 (1989): 1-30. pdf |
| 1989 | “Synthetic Parallelism: A Cross-Cultural and Cross-Disciplinary Study," Tamkang Review: a Quarterly of Comparative Studies between Chinese and Foreign Literature 20.2 (1989): 151-168. pdf |
| 1989 | "Fusion of Feeling and Nature in Wordsworthian and Classical Chinese Lyrics," Analecta Husserliana: Yearbook of Phenomenology Research vol. XXVIII (The Netherlands: Kluwer, 1989), pp. 431-56. pdf |
| 1988 | Fragments I-II and III-V in The Canterbury Tales: A Re-examination of the Idea of the 'Marriage Group', "Comitatus: A Journal of Medieval and Renaissance Studies 19 (1988): 80-98." pdf |
| 1987 | "The Structure of Whitman's 'Song of Myself' and Hegel's Phenomenological Dialectic," in Bloom’s Modern Critical Interpretations: Walt Whitman’s Song of Myself, ed. Harold Bloom (Philadelphia: Chelsea House, 2003), pp. 73-86. A re-print of the article published in Clio: Interdisciplinary Journal of Literature, History, and Philosophy of History 16 (1987): 317-29. pdf |
| 1987 | "The Structure of Whitman's 'Song of Myself' and Hegel's Phenomenological Dialectic," Clio: An Interdisciplinary Journal of Literature, History, and Philosophy of History 16 (1987): 317-29. |
| 1986 | "Structural Antitheses in Goldsmith's The Deserted Village," Papers on Language & Literature 22 (1986): 326-30. pdf |
| In Chinese | |
| 2020 | 《語法與詩境——漢詩藝術之破析》，北京：中華書局，2020年（forthcoming） |
| 2020 | “情”的概念何以拓展 ——從先秦“情”“性”論辯到兩漢六朝文論中的情文說 (Evolving Concepts of Qing:Pre-Qin Philosophical Texts and Six Dynasties Literary Criticism) 特稿.《探索與爭鳴》 (Exploration and Free Views). 364 (2020.2), pp.39-48. 論點摘要載於《新華文摘》2020年第15期，頁163. |
| 2019 | “內文化、跨文化和超文化語境中的詩學研究方法” (Research Methods for the Studies of Chinese Poetry and Poetics Developed in Intracultural, Cross-cultural, and Transcultural Contexts), by Zong-qi Cai. 北京大學學報 (哲學社會科學版) (Journal of Peking University [Philosophy and Social Sciences]), 2019.6, pp. 147-157. 全文轉載於 人大複印資料《中國古代、近代文學研究》2020年05期 |
| 2019 | “唐代五言律詩句法與詩境” (The Syntax and Poetic Vision of the Tang Pentasyllabic Regulated Verse),《學術月刊》(Academic Monthly), 51 (2019.1), pp. 115-134. 全文轉載於人大複印資料《中國古代、近代文學研究》，2019年第8期，頁80-98。 |
| 2019 | “六朝五言詩句法、結構、詩境新論--“圓美流轉”境界的追求”(New Reflections on the Syntax, Structures, and Vision of the Six Dynasties Pentasyllabic Poetry: The Pursuit of the Ideal of “Complete and Beautiful, and Flowing and Turning.”《上海師範大學學報》(The Journal of Shanghai Normal University), 2018.4, pp. 108-123. 全文轉載於《新華文摘》網絡版， 2019年第5期，頁918-939. |
| 2018 | “唯識三類境與王昌齡詩學三境說”(The Consciousness-Only Buddhism’s Three Types of Jing [Represented Realities] in Consciousness-Only Buddhism and the Three Types of Jing in Wang Changling’s Writings on Poetry), 《文學遺產》(The Literary Heritage), 2018.1, pp. 49-59. |
| 2018 | “王昌齡以’意’為中心的創作論及其唯識學淵源” (Wang Changling’s Yi-Centered Theory of Literary Creation and the Consciousness-Only Buddhism),《復旦大學學報》(The Journal of Fudan University), 2017.4, pp. 87-97. 論點摘要載於《中國文學年鑒》2018卷第一期。 |
| 2017 | “領字與慢詞節奏、句法、結構的創新” (The “Lead Words” (Lingzi) and the Prosodic, Syntactic, and Structural Innovations in the Manci Poetry), 《北京大學學報》（The Journal of Peking University）54.4 (2017), pp. 77-90. 論點摘要載於《新華文摘》2017年第22期；全文轉載於《文學遺產》網絡版，2017年12月。 |
| 2017 | “小令語言藝術研究：結構與詞境” (The Art of the Language of the Xiaoling Poetry: Structure and Poetic Vision)《文學評論》(Literary Commentary), 2017.2, pp. 189-201. |
| 2017 | “七言律詩節奏、句法、結構新論” (New Reflections on the Rhythmns, Syntax, and Structures of Heptasyllabic Regulated Verse),《學術月刊》(Academic Monthly), 49 (2017.2), pp. 135-153. 簡約版轉載於《高等學校文科學術文摘》(2017.2), pp. 91-94. |
| 2017 | 《现代与古典文学的相互穿越：故事新编与理论重建》, 主編，上海：上海古籍出版社，2017年 |
| 2016 | “中國詩文的聲音與意義”（The Sound and Sense of Chinese Poetry and Prose）, 《嶺南學報》（Lingan Journal of Chinese Studies）, re-launched series, vol. 5 (2016): 1-73. |
| 2016 | “單音漢字與漢詩詩體之內聯性 ”（The Monosyllabicality of Chinese Characters and the Inner Coherence of Chinese Poetic Forms）, 《嶺南學報》（Lingnan Journal of Chinese Studies）, re-launched series, vol. 5 (2016): 276--326. |
| 2016 | “小令語言藝術研究：句法之‘破’與‘立’” (On the Art of Short Lyric Songs: Syntactic Innovations), 《中國詩學》(Chinese Poetics)，vol. 20, ed. Zhang Bowei. Beijing: Renmin wenxue chubanshe, 2016, pp. 109-123. |
| 2015 | "詩歌與意識形態:《詩經》在漢代的經典化" (Poery and Ideology: The Canonization of the Book of Poetry in the Han Dynasty), trans. Chen Haixia and Cao Jianguo. 《長江學術》 (Yangtze Scholarly Journal), no.46 (2015.2), pp. 9-15 |
| 2015 | 《聲音與意義：中國古典詩文新探》，主編，上海：上海古籍出版社，2015年 |
| 2015 | “早期五言詩新探—節奏、句式、結構、詩境” (A New Exploration of Early Pentasyllabic Poetry: Rhythms, Syntax, Structures, and Visions), 中國文哲研究集刊 (Journal of Studies in Chinese Literature and Philosophy), vol. 44 (March 2015), pp. 1-55. |
| 2015 | “小令詞牌和節奏研究—從與近體詩關係的角度展開” (A Study on the Tune Titles and Poetic Rhythms of the Short Song Lyrics), 文史哲 (A Journal of Literature, History, Philosophy), no. 348 (2015.3), pp. 49-87. |
| 2015 | 《漢晉五言詩的演變—詩歌模式與自我呈現》, 陳婧 譯, 北京：北京大學出版社，2015年 Amazon.cn JD.com |
| 2015 | “以意逆志“說與中國古代解釋論”（The Mencian Statement “Yi yi ni zhi” and Chinese Theories of Interpretation）, 嶺南學報（Lingan Journal of Chinese Studies）, re-launched series, inaugural issue (2015): 145-167. |
| 2014 | “一種解釋近體詩格律的新方法” （A New Method for Teaching the Tonal Prosody of the Recent-Style Poetry）, trans. Chen Jing,《中國文學研究》 (Studies on Chinese Literature), vol. 23, Shanghai: Fudan daxue chubanshe, 2014, pp. 8-18. |
| 2014 | “早期五言詩新探——節奏、句式、結構、詩境” (A New Exploration of Early Pentasyllabic Poetry: Rhythms, Syntax, Structures, and Visions), 《中國文哲研究集刊》 (Bulletin of the Institute of Chinese Literature and Philosophy) Vol. 44 (2014.3): 1-56. pdf |
| 2014 | “介绍一种解释近体诗格律的新方法” (“Introducing a New Method of Explaining Recent-style Poetic Tonal Prosody”),《中國文學研究》 Study on Chinese Literature, vol. 23, ed. Huang Lin. Shanghai: Fudan daxue chubanshe, 2014, pp. 8-18. pdf |
| 2014 | "近期中西诗学体系比较研究的新进展," an introduction to Configurations of Comparative Poetics (比较诗学结构) by Liu Qinghai 刘青海 in 《北京大学学报（哲学社会科学版）》(Peking University Journal (Humanity Sciences), vol. 51, No. 4 (July 2014): 72-79. Amazon.cn |
| 2013 | “漢樂府的戲劇模式與敘事模式——民間與文人樂府之辨” (Dramatic and Narrative Modes of Presentation in Han Yeh-fu), trans. Chen Jing, 《國際漢學研究趨勢：鄭清茂教授八秩華誕祝壽論文集》, vol. 1, ed. Department of Sinophone Literatures at National Dong Hwa University. Taipei: Huayi xueshu chubanshe, 2013, pp. 17-74. pdf |
| 2013 | “經驗自我與詩性自我: 曹植詩新論” (Experiential Self and Poetic Self: New Perspectives on the Poetry of Cao Zhi), trans. Chen Jing, 《中國詩歌傳統及文本研究論文集》 (Essays on Chinese Poetic Traditions and Textual Scholarship), ed. Chen Zhi. Beijing: Zhonghua Shuju, 2013. pdf |
| 2012 | “先秦漢晉言實之論與陸機劉勰的文學創作論” (“The Early Philosophical Discourse on Language and Reality and Lu Ji’s and Liu Xie’s Theories of Literary Creation”), trans. Chen Jing, 《中國文學研究》 (Study on Chinese Literature), vol. 19, ed. Huang Lin. Shanghai: Fudan daxue chubanshe, 2012, pp. 10-28. pdf |
| 2012 | 《比較詩學結構——中西文論研究的三種視角》,劉青海 譯, 北京：北京大學出版社，2012年 Amazon.cn |
| 2011 | “中国诗学体系——从和谐过程的角度论文学” (The Systmatics of Chinese Poetics: Conceptualizing Literature as a Harmonizing Process), trans. Liu Qinghai; 《海外中國學》(Overseas China Studies), a new journal published by Shanghai Academy of Social Sciences, second issue (2011) |
| 2010 | “古典詩歌的現代詮釋—節奏．句式．詩境（第一部分﹕理論研究和《詩經》研究部分）” (Modern Interpretation of Classical Chinese Poetry: Rhythm, Syntax, and Vision [Part One: Theoretical Discussion and a Study of the Book of Poetry]), 《中央研究院文哲所通訊》 (Bulletin of the Institute of Literature and Philosophy, Academia Sinica) 20.1 (2010): 1-45. pdf |
| 2010 | “西方诗学体系——从真理的角度论文学的产物” (The Systmatics of Western Poetics: Conceptualizing Literature from the Perspective of Truth), trans. Liu Qinghai 《海外中國學》 (China Studies Overseas), a new journal published by Shanghai Academy of Social Sciences, inaugural issue, 1(2010): 239-264. pdf |
| 2009 | “節奏、句式、詩境——古典詩歌傳統的新解讀” (Rhythm, Syntax, and Vision: A New Perspective on the Classical Chinese Poetry), trans. Li Guanglan, 《中山大學學報》 (Journal of Zhongshan University), 49.2 (2009): 26-38. CNKI pdf |
| 2009 | “郝敬『溫柔敦厚』說：一個被遺忘的文學批評理論體系” (Hao Jing&rrsquo;s Theory of “Soft, Gentle, Sincere, and Steadfast” : A Forgotten System of Literary Criticism), 《中國詩學》 (Chinese Poetics)，vol. 14, ed. Zhang Bowei. Beijing: Renmin wenxue chubanshe, 2010, pp. 150-177. Reprinted in 《明清文學與思想中之情、理、欲──文學篇》 (Emotions, Rational Principle, and Desires in Ming-Qing Literature and Thought) ed. Wang Ayling. Taipei: Institute of Philosophy and Literature, Academia Sinica, 2009. pdf |
| 2009 | “中西比較文化中的內文化、跨文化與超（個體）文化視角” (Intracultural, Cross-cultural, and Trans-cultural Perspectives in China-West Cultural Comparisons),trans. Zhou Yin, 《文藝理論研究》 (Theoretical Studies in Literature and Art), 165(2009.4), pp. 17-26. Reprinted in 《全球化與文學》 (Chinese Literature and Cultural Horizons), ed. Yang Yi et al. Beijing: Chinese Academy of Social Sciences Press, 2009, pp. 17-35. CNKI pdf |
| 2008 | “《文心雕龍》中“文”的多重含義及劉勰文學理論體系的建立” (Wen and the Critical System in Wenxin diaolong ), trans. Jin Tao,《人文中國學報》 (Sino-Humanitas) 14 (2008): 139-172. pdf |
| 2007 | “從“斷章取義”到“以意逆志”——孟子復原式解釋理論的產生與演變” (Mencius’ Theory of Reconstructive Interpretation), trans. Jin Tao, 《中山大學學報》 (Journal of Zhongshan University), 47.6 (2007): 44-50. CNKI pdf |
| 2006 | “陶潛作品中“命”的視角與隨之而變化的人生畫面” (The Issues of Ming [fate, destiny, lifespan] in the Works of Tao Qian), trans. Jin Tao, 《中國中世文學研究論集》 (Critical Essays on the Literature of Medieval China), ed. Zhang Peiyan, 2 vols. Shanghai: Shanghai guji chubanshe, 2006, vol. 2, pp. 936-972. pdf |
| 2004 | “中國古代闡釋學的個例研究：闡釋“興、觀、群、怨”的三種模式” (A Case Study of Chinese Hermeneutics: Three Interpretive Approaches in the Study of Confucius’ Four Terms about the Book of Poetry), 《九州學林》 (Scholarly Forum on China) 2.3 (2004): 26-41. pdf |
| 2004 | “中國文學批評體系的建立：《文心雕龍》與早期文獻中的文學觀” (The Rise of the System of Chinese Literary Criticism: Wenxin diaolong and Concepts of Literature in Early Texts), trans. Li Ruilin and Qiao Ji, 《詩學新探》 (New Studies on Poetics), ed. Zhou Faxiang et all. Tianjin: Baihua wenyi chubanshe, 2004, pp. 289-312. pdf |
| 2003 | “‘勢的美學’：費諾洛薩和龐德中國文字理論之再評價” (Aesthetics of Shi: A Re-evaluation of Fenollosa and Pound’s Theory of Chinese Written Characters), trans. Zheng Xueqin, 《東華漢學》 (Dong Hwa Journal of Chinese Studies), inaugural issue (2003), pp. 83-103. pdf |
| 2002 | “阮籍的象徵表現手法與詠懷體的藝術特徵” (The Art of Symbolizing in Ruan Ji’s Yonghuai Poetry), trans. Zheng Xueqin, 《文選與文選學》 (Essays on the Wenxuan), ed. Wenxuan xuehui. Zhengzhou, Zhongzhou chubanshe, 2002, pp. 398-423. pdf |
| 2001 | “六朝文藝理論中的“神”的哲學淵源和美學新義” (The Concept of Shen in Six Dynasties Aesthetic Thought). 《中國文學研究》 (Research on Chinese Literature), edited by Department of Chinese, Fudan University, vol. 4 (2001), pp. 18-61. pdf |
| 2001 | “柏拉圖和孔子詩論中的和諧說” (The Theory of Harmony in Plato’s and Confucius’ Writings on Poetry), trans. Zheng Xueqin,《哲學與文化月刊 (Universitas: Monthly Review of Philosophy and Culture) 28.10 (2001): 925-948. pdf |
| 2001 | “德里達和僧肇：語言學和哲學的解構主義” (Derrida and Seng Zhao: Linguistic and Philosophical Deconstruction) , trans. Zheng Xueqin, 《中國學術》 (China Scholarship) 1, no. 2 (2000), pp. 186-201. Reprinted in 《哲學與文化月刊》 (Universitas: Monthly Review of Philosophy and Culture) 28.3 (2001): 238-249. |
| 2000 | "《文心雕龍》與儒、道、佛家的中道思維” (The Confucian, Taoist, and Buddhist Zhongdao (Middle Ways) in Wenxin diaolong), collected in《論劉勰及其〈文心雕龍〉》 (Liu Xie and His Literary Mind and Carving of Dragons). Beijing: Xueyuan chubanshe, 2000, pp. 94-114. pdf |
| 1999 | “意象、意境說與劉勰的創作論” (Theories of Yixiang [Idea-Image], Yijing [Idea-scape] and Liu Xie’s Theory of Literary Creation), in《〈文心雕龍〉國際學術研討會論文集》 (Collected Essays from an International Symposium on Wenxin diaolong),ed. Chinese Department, Taiwan National Normal University. 2 vols. Taipei: Wenshizhe chubanshe, 1999, vol. 2, pp. 413-426. pdf |
| 1997 | “華茲華斯和劉勰的文學創造詩學” (Liu Xie's and Wordsworth's Theories of Literary Creation), trans. Zheng Xueqin, collected in 《文心雕龍研究》 (Research on the Literary Mind and the Carving of Dragons), vol. 3, Beijing: Beijing University Press, 1997, pp. 205-29. pdf |
| 1996 | “《文心雕龍》與傳統文學觀框架和傳統文化的關係” (The Literary Mind and the Carving of Dragons and the Traditional Concepts of Literature), collected in 《文心雕龍研究》 (Research on the Literary Mind and the Carving of Dragons), Beijing: Beijing Univ. Press, 1996, pp. 326-345. pdf |
| 1989 | "《詩經》與《古詩十九首》：從比興的演變來看它們的內在聯繫” (The Book of Poetry and “Nineteen Old Poems": A Connection Seen Through the Evolving Bixing Modes) . 《中外文學》 (Chung-Wai Literary Monthly ) 17. 11 (April 1989): 116-141. pdf |